Week 4- Technical Drawing (I)

Week 4- Technical Drawing

What is fashion technical drawing?
Technical drawings are technical flats in the fashion industry. They are black and white drawing that shows a garment laying flat to display all the seams, topstitching, hardware, and every design detail.

I think it is essential to master this skill for anyone in this industry as it is used to convey design ideas and garment details to pattern cutters and machinists. They have to be drawn accurately in order to avoid misunderstandings and costly mistakes during sampling and production.

Technical Flats for Dresses


Technical flats for blouse

Technical flats for pants

Technical flats for skirts

Technical flats
There are not only technical flats for garment designs. Technical drawings are also used for infographics in fashion studies for students' further understanding.

Types of outerwear
Types of skirts


Week 3- Orientalism

Week 3- Orientalism and Paul Poiret

Orientalist Fashion
The orientalist fashion era began from 1910s to 1920s. The types of clothing worn included jeweled clothing, lavish layers, turbans, head wraps, tunics, robes, fringes, harem pants, and more. It is the transaction between the East and the West.

I think this was also the very beginning of globalisation. The gradual process of international integration from the interchanging of world views, products, ideas, and aspects of culture, has led to where we are today.

Robe á la turquerie is inspired by textiles from all over Asia, primarily China, India, and Turkey in the 18th century.

The Ballet Russes
The Ballet Russes was a ballet company established in 1909 by Serge Diaghilev. He presented a season of Russian art, music, and opera. This created a sensation in Western Europe because of the great vitality of Russian ballet compared to French dance. It became one of the most influential ballet companies of the 20th century. It was famous for its ground-breaking artistic collaboration among contemporary choreographers, composers, artists, and dancers.

Ballet Russes program with design for Nijinsky in La Peri by Leon Bakst, 1912

Paul Poiret
Paul Poiret is the leading French fashion designer during the first two decades of the 20th century. He was known for his Orientalist style, replacing the corset with the brassiere. Later, he encouraged women to free themselves from the corset and adopt the bra instead. Orientalism during that era appealed to his sense of colour and style. He was able to incorporate exotic styles in his dresses such as:

1. The Greek Chiton: A chiton is a form of clothing from the Ancient Greece. It is worn as a sewn garment for men and worn as a draped garment held on the shoulders for women.
The Greek Chiton

2, The Japanese Kimono: The kimono is a Japanese traditional garment that is used for important festivals or formal events. It is a straight-lined robe worn with attached collars and long wide sleeves.

The Japanese Kimono

3. The North African and Middle Eastern Kaftan: A kaftan is a variant of the robe or tunic. It is often worn as a coat or overdress, reaching to the ankles, with long sleeves.
The Kafta

Paul Poiret's designs:

1. The minaret tunic: A wide tunic boned to hold the skirt in a full circle and worn over the hobble skirts.

The tunic by Paul Poiret.

2. Hobble skirts: It is loose and free through the body, but the hem is so narrow that women could hardly move.
3. Lampshade design: Dress with an overskirt which was wired to give a lampshade effect.

Lampshade skirt

4. Sultana Skirts: Printed maxi skirt that sits naturally at the waist.


Paul Poiret's sultana skirt
Modern sultana skirt

5. High-waisted silhouette: The silhouette of a garment sitting higher up between under the bust and the waist.
Modern high waisted silhouette.
Paul Poitet's high waisted silhouette.
6. Capes: Covered with fringes and tassels with multi-coloured feathers, pearls, and usually worn under white fox stoles.

Drawing by Pablo Picasso
Paul Poiret's haute couture 

7. Turban a L Orientale: Head covering consisting of a long length of material wound around a cap or the head.

Paul Poiret design turbans.

Week 2- Silhouettes & Observational Drawing

Week 2- Silhouettes

What is a Fashion Silhouette?

Silhouette is the basic outline of the clothing on the body or the overall shape of the garment. With any three-dimensional form should be considered a silhouette from every angle. I think the best way to understand silhouette is to watch many runway shows and observe the translucent screen with the light behind it before the model hits the runway. As she stands between the light and the screen, the shadow outlining the clothes can be clearly seen and that is a silhouette to me.

If well designed, the silhouette could tell part of the design story and construction details, looking as good when worn as it did in a designer's imagination.



Mila Schön Spring Summer 2013 Women Collection Milano Fashion Week 

Types of Silhouettes


Types of silhouettes

1. A-Line: A fitted upper bodice with a flared skirt from the waist to hemline.

Elie Saab Spring 2014 Couture

2. Balloon: A fitted or loose upper bodice with a balloon-like shape hem above the knee.

Dolce & Gabbana Fall Ready-To-Wear 2009

3. Ball gown: A fitted upper bodice that blooms out into a full skirt that can disguise large hips.

Naeem Kham Bridal Spring 2017

4. Empire: A fitted upper bodice with waistline raised directly below the bust and the skirt flares loosely below. This could disguise the stomach area and emphasize the bust area.

 Dolce & Gabanna Fall Ready-To-Wear 2006

5. Mermaid: A fitted upper bodice to the knee, and flared skirt at the bottom that resembles a mermaid's tail.
Zac Posen Fall Ready-To-Wear 2012

6. Trumpet: A fitted upper bodice to mid-thigh where the skirt flares out. This accentuates the torso, hips, and legs.

Balmain Spring Ready-To-Wear 2014

7. Sheath: A figure-hugging type of dress with a straight drape.

Inbal Dror Bridal Fall 2016
Observational Drawing
Based on the model's outfit, we sketched out the garment we observed before our eyes, paying particular attention to the silhouette, details, and its construction.

My group chose to observe this white dress.
This is my observational sketch.





Front-side area of the outfit.


The sketch shows the side seam of the outfit.

Top side view of the front of the white dress.

This sketch shows the side seam and the bust dart.

Trumpet skirt flare made of mesh fabric.

The trumpet skirt sketch.
The bare back of the dress.
The sketch of the back of the dress.
Descrptions of the dress.


The bottom back of the dress.
This dress is a Y silhouette.
Overall back view of the dress.

Stylize drawing of the dress, back view.